It’s rare at the moment to read a debate about science fiction and agree so wholeheartedly with most of it, but SF Signal’s current mind-meld on “The Future of Written Science Fiction” had me nodding so vigorously I almost sued myself for whiplash injuries. The question of what happens to the literature of the future when the future actually arrives seems to be exercising some writers and editors rather a lot at the moment. For some, that means writing SF gets harder (Charles Stross recently opined that for him it now verges on the impossible); for others, that
Refraction - Christopher Hinz
The Rush’s Edge - Ginger Smith
The Sensation - Amanda Bridgeman
Captain Moxley and the Embers of the Empire - Dan Hanks
The Phlebotomist - Chris Panatier
Bystander 27 - Rik Hoskin
The Machine Dynasty Omnibus - Madeline Ashby
ReV - Madeline Ashby
Red Noise - John P. Murphy
Once upon a time there was a respected traditional book publisher who really, really got the concept of ebooks, they said. Who decided they would be the market leader in ebooks, would offer all their new titles in the various ebook formats as standard, right now.
Only… where a book was only available in hardcover, they priced their ebook equivalent to the hardcover, and only when the book came out in mass-market did they lower the price to the same as the paperback edition.
Perhaps they thought no one would notice. I don’t mean notice that they are giving every
S&S in the UK announced via theBookseller today that they’ve acquired Alexey Pehov’s Chronicles of Siala trilogy for,
a pre-emptive six figure sum
The emerging BRIC economies should be fertile territory for genre – there’s stuff taking place in the wildfire of those hyperspeed capitalist environments Western writers have barely dreamed of. And it needs telling, or re-telling into amazing parables of the future or the mythic
Peter Molyneux is one of the games industry auteurs people have been slowly been learning to think of in the same way we think about Film boys like Spielberg: commercial geniuses whose talent comes in large part from organising and enabling other peoples creativity as much as expressing their own. So when Molyneux, who these days runs Lionhead, turns to Fantasy themes to place his games, we should be interested (and are! Well, I am anyways…).
There’s a big wide world of Angry Robots out there – just check em out on Flickr. But there’s something about this one I really like.
I don’t really think he’s an utter bastard, of course. In fact, I adore Neal Stephenson. He’s a wonderful writer, more than prepared to take on immense sweeping subjects and deliver in spades. Which means his damn books are immense buggers. Which means I have a cinderblock-sized copy of Anathem glowering heftily at me from the Must Read Soon pile.
And I’m looking at it, and it’s looking back at me, and I’m
But sometimes you don’t just need to idly love robots from a-far, you need to BUY them. So whilst the global economy falls apart, and whilst we don’t have any books-n-stuff for you to buy, why not lavish your remaining liquidity on the finest robots purchasable via the whirlwhywib?
The Robot Shop is that place, selling a plethora of robotics, from complex science class stuff to R2s to Robbie the Robot posters.
I spent 6 months telling senior management at HarperCollins that the SciFi and Fantasy genre was in a period of transition. That things were changing we needed to respond to with smart, up-to-date ways of reaching the passionate, intelligent readers who consume this kind of stuff. And that there was a whole batch of next-generation readers out there we could reach if we did things differently. (more…)
It’s important to set a context for the trip ahead, and whilst this business is all about words, it still needs a soundtrack.
So what would an Angry Robot listen to? We know that just plain ol’Robots dig Kraftwerk, the man-machine metronomes. And we can assume that self-hating Robot’s Rage Against the Machine. But if I was an Angry Robot right now, I’d be optimistic, and excited about the trip ahead, channeling the Angry-ness – so who better than the mighty, wide-eyed and wonderful Yeasayer to set the tone?
I saw this on Pitchfork this morning, and as we start thinking about
It’s almost time for World Fantasy Con, the best little convention we ever did attend. This year we have the rare treat of a trip to Calgary, Canada, for a few days of chat, beer, reunions, beer, panels, beer, beer and some drinking too. Attending this year for Angry Robot will be Marc G, AR Publishing Director, and Chris Michaels, the official HarperCollins special publishing strategy and future mad ideas genius guy (no really; he
While watching BBC1’s Imagine documentary tv show, on the history of the rock guitar the other night, my mind was severely boggled by a nifty little number from The Tornados, of “Telstar” fame… Robot. Erm yeah, like, swinging daddio.
This coming weekend, the Angry Robot crew will be rampaging down to the sleepy town of Northampton (the UK one). Why? Oh pshaw — it’s only flipping Newcon 4! Along with the mighty Iain Banks, who’ll be bringing his M with him, there’ll be the usual marvellousness from Paul Cornell, Ken McLeod and the crepuscular Storm Constantine, plus a whole heap of further sfnal and fantastical goodness. The venue — the town’s
(Sept 10th 2008, London) HarperCollins today announced a new business venture, Angry Robot, to provide the global science fiction/fantasy community with new content both in physical and digital form. More …
Until we have some books to announce formally, we’re going to use the blog format for our website. That should mean we can rattle away about the various headline topics that come up as we turn Angry Robot from a crazy idea that might just work… into stark, terrifying reality.
A few of our friends