a pre-emptive six figure sum
The emerging BRIC economies should be fertile territory for genre – there’s stuff taking place in the wildfire of those hyperspeed capitalist environments Western writers have barely dreamed of. And it needs telling, or re-telling into amazing parables of the future or the mythic past.
Peter Molyneux is one of the games industry auteurs people have been slowly been learning to think of in the same way we think about Film boys like Spielberg: commercial geniuses whose talent comes in large part from organising and enabling other peoples creativity as much as expressing their own. So when Molyneux, who these days runs Lionhead, turns to Fantasy themes to place his games, we should be interested (and are! Well, I am anyways…).
Fable II, released yesterday is a big moment. Partly because Fable I, as Molyneux himself admitted, was a disappointment; partly
It’s important to set a context for the trip ahead, and whilst this business is all about words, it still needs a soundtrack.
So what would an Angry Robot listen to? We know that just plain ol’Robots dig Kraftwerk, the man-machine metronomes. And we can assume that self-hating Robot’s Rage Against the Machine. But if I was an Angry Robot right now, I’d be optimistic, and excited about the trip ahead, channeling the Angry-ness – so who better than the mighty, wide-eyed and wonderful Yeasayer to set the tone?
I saw this on Pitchfork this morning, and as we start thinking about
So yeah, here we are. All a bit new around here at the moment – a lot of Angry Robot is still cellophane-wrapped for your protection. Protection from what, though, we’re not sure yet…
Until we have some books to announce formally, we’re going to use the blog format for our website. That should mean we can rattle away about the various headline topics that come up as we turn Angry Robot from a crazy idea that might just work… into stark, terrifying reality.
A few of our friends have
